Two decades in dance led me to sound,
expanding my practice from the moving body into
space, listening, and ways of perceiving.
Through choreography, performance, and later composition, this practice expanded into an exploration of sound, space, and perception across different artistic forms. Focusing on electronic composition, sound design, and audiovisual creation, my work explores the interplay of movement, sound, and space, translating choreographic thinking into sonic and visual structures.
Electronic and spatial music has become an independent part of my practice, opening up new ways of working with sound, space, and time. In choreography, this unfolds through the presence and movement of bodies; in multichannel composition, through spatialized sound and listening. Rooted in my experience in dance, this practice brings an embodied understanding of movement, space, timing, and perception into multichannel composition, shaping sonic & spatial structures with a choreographic sense of precision, movement and flow.